Welcome to the July edition of the Newsletter.
If you're wondering what happened to June, er... so am I.
What with the chaos of Spring Fling
and the forthcoming exhibition in Gatehouse of Fleet, suddenly June
turned into July. My apologies for that, but hopefully you will
enjoy this month's enough to make up for it
So, coming up in this newsletter:
Spring Fling Open Studio Event
New Mailing system
Exhibition at The Mill on the Fleet
The Inspiration for the Making of "Connection"
Video of the Making of "Connection"
High Resolution Image for you to Download
Spring Fling
After all the build-up and preparation,
I feel that the Spring Fling Open Studio event at the end ofMaywas a great success.
I had many visitors to my studio and a wonderful amount of very
positive feedback.
I so enjoyed talking to all of you who were able
to visit and look forward to seeing you again at forthcoming events.
My sincere thanks to all who helped make this
an extremely happy experience for me.
New Mailing System
For those who have still not signed up, or confirmed,
using the new GetResponse system then please
do so on theNewsletter
Sign up Pageas I will no longer be sending
out newsletter updates one at a time. So unless you confirm you
wish to remain, you will drop off the mailing list.
As this is still early days with the new system I
expect a few teething problems, so if you have any difficulties
or questions about it then please contact me directly.
Please be assured that your privacy is still guaranteed.
I will never pass on your details to anyone else without your express
permission, and of course you can unsubscribe at any time.
Exhibition at Mill on the Fleet
From 27th July to 28th August I have
a solo exhibition at The
Mill on the Fleet, Gatehouse of Fleet,
Kirkcudbrightshire.
I won't be at the Mill the entire time, but if you
are planning on coming along and would like to meet up with me there,
do give me a call and we can arrange a suitable time.
The Inspiration for the Making of "Connection"
There were discarded tufts of sheep's
wool all over the path leading along to the viaduct above Gatehouse
of Fleet. I suppose a more resourceful felt maker would have gathered
them up for a " from scratch" project but I resorted to
the camera to take some close-up shots using the macro lens.
Close up sheep's wool
Raindrops remained suspended amongst an entwined
tangle of wool fibres and mossy plant tendrils.
This was just the kind of inspirational texture that I attempt to
create in my artwork to carry forward the narrative I have created;
intricate traces and webs of memory and experience entwined, creating
tension and flow in our lives.
Working in felt for this piece provided a pleasing
connection with the little matted bundle of raw fleece and plant
material found lying on the path and the ideas it had evoked in
me. Indeed there seemed to be a circular continuity, which always
comforts and reassures me.
Final piece - 100cm x 100cm
The edges of the holes created in the piece
I constructed, point to a tension in the flow of the connective
tissue of wool fibres and echo the original drops of water suspended
there. They represent a kind of inner space that can be fluid and
changeable while still contained and intact giving a defined shape
to the whole. I feel it is the same with our emotional experiences;
they can stay hidden yet ever alive within us while flowing with
us as we develop and grow.
Video of the Making of "Connection"
Download a free high-resolution image for your own wall or computer
desktop
When both the main piece of this newsletter, and
the video is about the artwork, Connection, it would be remiss of
me not to include a detail of it this month for you to download
for your own use.
Right-click on the image and select Save
Target As. You can then save the image on your computer and
print it off on photographic or watercolour paper at up to A4 size
without losing any quality, or use it as a desktop background for
your computer.
Be advised that the image is approximately 2.7MB
big, so might take a little while to download
If you run into any difficulties then please let
me know.
Questions and Comments:
I would very much like to hear from you. Please
email me with any questions about my artwork, or with ideas of things
you'd like to see and read in future editions of this newsletter.
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Studio 4, WASPS Studios, Cannonwalls,
117 High Street, Kirkcudbright, Scotland DG6 4JG tel: +44 (0) 781 552 8827 email: maggie /at/ maggieayres /dot/
co /dot/ uk